One of the first Swedish bands to fuse jazz and rock (and occasionally African and Latin-American music as well) was Egba (photo: Pawel Lucki), led by trumpeter Ulf Adåker (b. 1945) and saxophonist Ulf Andersson (b. 1940), two musicians with roots in the jazz of the 1960s. Several other musicians of that era also expanded their vocabulary to include the electronic sounds of the day, collaborating with younger musicians whose background was mainly in rock. One of the latter is pianist and keyboard-player Harald Svensson (b. 1954), who has also been involved in other groups, most notably Entra. Tenor saxophonist Ove Johansson (b. 1936) and keyboard-player Susanna Lindeborg (b. 1952) in the group Mwendo Dawa have combined acoustic instruments with electronic sounds since the 1970s, and there are several other groups which work with fusion types of jazz. Nice flute, electric and acoustic piano, and jazz-tone guitar runs all within the confines of tightly arranged compositions. Some African moves foreshadows what Archimedes Badkar would do on “Tre”. Long track on the backside contains a funk rave-up with fiery solos from sax, guitar and electric piano. Line-up / Musicians Ulf Adaker/trumpet Ulf Andersson/saxophone Jan Tolf/guitar Claes Wang/drums,percussion Harald Svensson/piano Stefan Brolund/bass Ahmadu Jarr/percussion Discography(Album) Egba 1974
1.Grona Moln 2.Mogubgub 3.The Black And The White 4.Lisa Sover 5.Gbinti 6.Cirrus 7.Capsilon
